Once Upon A Time In Hollywood reviews ‘OUTRAGEOUS, jaw-dropping and foot-fetishising’
It sits at the mature end of Tarantino’s work, bringing his tongue-in-cheek storytelling together with exquisite movie craft and killer lead performances from Brad Pitt and Leonardo DiCaprio.
[A] richly evocative, conceptually jaw-dropping, excessively foot-fetishizing, inescapably terrifying and unexpectedly poignant movie.
It’s a heady, engrossing, kaleidoscopic, spectacularly detailed nostalgic splatter collage of a film
Tarantino luxuriates in bringing this prelapsarian heyday roaring back to life, and the effect is pure movie-world intoxication, laced with in-jokes and nibble-ably sweet period detail.
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If not a career best, it’s an extraordinary career summation.
It’s entirely outrageous, disorientating, irresponsible, and also brilliant.
Once Upon a Time… in Hollywood is uneven, unwieldy in its structure and not without its flat patches. But it’s also a disarming and characteristically subversive love letter to its inspiration.
This curious fairy tale may not be the truth, and it may prattle on too long. But when its stars align, and they let loose with their unmistakable shine, Hollywood movies do seem truly special again.
All the Tarantino hallmarks are here – the jet-black humour, fine-tuned dialogue, jukebox soundtrack and, yes, bare feet.
The film is a dirty, sensually realized feat with many shots of sensualized feet. Time will tell whether this is Tarantino’s greatest work, but it incorporates so much of what made this brash filmmaker provocative, great, obnoxious and brilliant.
It’s a grand playground for the director to further fetishize old pop culture, to break things and hurt people, and to bring a wide-eyed glee and a robust sense of perversity to the whole craft of moviemaking.
Once Upon A Time In Hollywood is released in UK cinemas on August 14, 2019.